An introductory course emphasizing the understanding and appreciation of visual arts (painting, sculpture, and architecture).

A survey of painting, sculpture, architecture and the minor arts from prehistoric times to the 14th Century.

A survey of art history since the Renaissance.

The study of the elements and concepts of two-dimensional design.

The study of the elements and concepts of three-dimensional design.

A beginning course investigating a variety of drawing media, techniques and subjects, exploring perceptual and descriptive possibilities.

A continuation of Drawing I stressing the expressive and conceptual aspects of drawing.

A survey of late modern and contemporary art practices.

An advanced investigation into historical and contemporary color theories and systems.

A life-drawing course emphasizing structure and action of the human figure.

This course is an introduction to graphic design, incorporating the basic principles of typography, layout and design for print and digital media.

An introduction to basic photographic processes and techniques used as an art medium.

Seminar for all junior and senior students seeking a Bachelor of Fine Arts degree. This course must be taken three times before enrolling in senior thesis. May be repeated for credit.

An introduction to the use of both medium format and view cameras.

An introduction to computers as a creative tool, language and logic. Development of image making techniques, data handling and design. Art Majors are required to follow the prescribed sequence of courses.

A computer-based media course. The preparation and execution of graphic material for reproduction.

Painting I is a course exploring the potentials of painting media and techniques with emphasis on color, composition, and content development.

A continuation of Drawing IV with emphasis on experimentation with various media for their adaptability to drawing principles.

Study and practice in the planning and execution of paintings in transparent and opaque watercolor.

A continuation of Painting I with emphasis on individual expression.

An introduction to a highly sophisticated Building Information Modeler (BIM) computer Aided Design (CAD) software. Students learn the basic 2D tools of drafting while producing complex 3D models that can be used for perspective renderings, animations, material specifications and construction drawings. ArchiCAD is an integral design tool in interior design.

An introductory course which covers the scope and profession of Interior Design. The design process as applied to the interior environment through fundamentals of professional requirements: client interaction, programming, space planning, spatial design, human factors, structural and environmental systems, sustainability, application and properties of interior materials, legal documents, field supervision and post-occupancy studies.

Experimentation with various techniques and/or media. A continuation of Arts 3313.

A continuation of Drawing III with emphasis on both observational drawing skills and individual expression.

A continuation of Arts 3315.

A continuation of Arts 3316. May be repeated for credit.

A continuation of Arts 3317.

An exploration of the various sculptural approaches in wood, cement, and mold making, including additive and subtractive techniques.

A course focused on establishing entry-level skills in concept art and visual development used in character design in various fields of the entertainment industry. Art majors are required to follow the prescribed sequence of courses. The letter grade of "C" will be the minimum prerequisite grade accepted for continuing studio courses in sequence.

Intermediate studies in typography and page layout for print and digital production. Art Majors are required to follow the prescribed sequence of courses.

A study of the secular and religious visual arts of the non-western world. Selected major works will be studied within their historical and cultural contexts. The course will examine selected works for their formal qualities, iconography and style.

An interdisciplinary study of various aspects of art crime and its impact on the art world. Selected art crime cases will be studied within their historical, cultural and social contexts.

An introduction for non-majors to the uses of computers in design, illustration, information, text processing and desktop publishing. This course focuses on developing general computer skills.

An introduction for non-majors to the uses of computers in interactive design and animation. This course focuses on developing skills using the elements of art and principles of design.

An introduction to printmaking with an emphasis on intaglio and relief processes.

A continuation of Arts 3355 with emphasizes on planographic and serigraphic techniques.

A survey of the curricula methods and materials for the instruction of visual art in the elementary school by the classroom teacher.

An exploration of the various sculptural approaches in steel and cast metal. Contemporary and historical perspectives addressed.

Investigation and practice in ceramic processes, forming and firing techniques.

Introduction to contemporary digital photography as an art medium.

An examination of the visual arts in relationship to historical, cultural and socio-political influences, and of the construction of meaning through cultural practices and cultural differences. An overview of social movements, theories, trends and other cultural influences on the pedagogical practices in art education.

Advanced studies in sculpture with a focus on public, installation and performance art. Contemporary and historical perspectives addressed.

Opportunities for specialization in ceramic processes.

An introduction to color printing techniques.

Advanced techniques in electronic image manipulation and fine printing as it relates to the photographic arts. Hands-on experience with a variety of scanning equipment, software tools and output devices. Course topics include post-image capture processing, the digital negative and fine printing. Emphasis on creating a body of work and the fine digital print.

Advanced techniques in digital video art production. Hands-on experience in the principles of desktop video production, including cameras, script writing, story boarding, shot composition, lighting, digital transfer and manipulation, linear and non-linear editing, and post-production DVD processing.

Specialized problems in studio area.

Specialized problems in studio area.

This course addresses the socio-cultural roles of museums and their historical and contemporary practices.

A studio course exploring residential space in both architecture and interior design emphasizing programmatic analysis, the design process and spatial exploration. Areas of study include presentation techniques, mechanical requirements, material and furniture specifications.

A studio course exploring the diverse fields of commercial design including retail, restaurant and hospitality spaces. From design development to client book, emphasis will be on creative design, code compliance and professional presentation. A final project will integrate course content in the adaptive re-use of historic architecture.

A continuation of Drawing VII. May be repeated for credit.

A continuation of Painting IV. May be repeated for credit.

Investigation of non-loom fiber techniques; printing, dyeing, and other fiber processes.

Advance studies in brand identity and packaging. Contemporary and historical perspectives addressed.

Advance studies in professional portfolio development, self promotion, opportunities in the field, and professional standards in the field of graphic design. Art majors are required to follow the prescribed sequence of courses.

A study of the practical aspects of the art profession with emphasis on health hazards, business procedures, and art law.

A study of the secular and religious visual arts of the ancient world. Selected major works will be studied in their historical and cultural contexts. the course will examine selected works for their formal qualities, iconography and stylistic development.

A study of Renaissance art in Europe from the 14th through the 16th centuries.

Approaches to 2D and 3D digital animation. Students will develop skills in motion design, conceptualization and processes with digital software.

Approaches to digital modeling, scanning, and 3D printing. Students will develop skills in design, conceptualization, and processes with digital modeling and 3D printing technologies to realize a number of projects.

A study of the foundation of abstractionism from Neo-Classicism through Post-Impressionism.

Topics in computer image making. Development of user interface, motion graphics, sound and visual communications techniques intended for use in creating design for the internet.

Specialized problems in studio area. May be repeated for credit.

Advanced topics in computer based design. Student selected problems working with specific areas of electronic design. Work done on a contract basis with specified objectives and tangible results.

This course is a continuation of ARTS4355 with an added focus on combining new and previously learned techniques using student identified content. Portfolio presentation and technical demonstration will be required.

A historical and critical analysis of global contemporary art practices.

This course is designed to prepare students to teach, as art specialists, in the elementary school. It is one of two art methods classes required for all level art certification and includes both theory and practice of art education at the primary level.

Elective course providing an internship opportunity in field of study; graphic design, studio arts, or museum studies. May be repeated once for credit.

Specialized problems in studio area. May be repeated for credit.

Specialized problems in studio area. May be repeated for credit.

A survey of the field of graphic design from its origins to contemporary practice.

Curricula, methods, and materials for instruction of visual art in the secondary school.

Advanced studies in sculpture with a focus on producing a body of related, digital portfolio, and written analysis.

This course examines the major methodologies and theories that have shaped and continue to shape the fields of visual art and art history.

Research in a specialized area of art history. May be repeated for credit.

Offered: Other

Study of specialized area within photography or commercial art field. May be repeated for credit.

Study of specialized area within fine arts field. May be repeated for credit.

The development and evolution of photography from its invention in 1839 to the present.

Student-selected problem encompassing an area of emphasis with suitable research, production, written support and oral presentation to a faculty committee. This course is a degree completion requirement for those seeking a Bachelor of Fine Arts degree.

Experimental research in the uses of computers as image making tools. Development of personal imagery through electronic media. May be repeated for credit.

Independent directed study in drawing. May be repeated for credit.