This course examines influential comedies, tragedies, historical plays and musicals that have had a significant influence on the art form of theatre. By reading, discussing, and reflecting in writing about a variety of dramatic works drawn from diverse perspectives, students will gain a greater understanding of differences in style, genre, and theatrical art forms. Open to all majors.

An exploration of the theatrical experience for the audience. A practical examination and discussion of the theatrical elements necessary to present a live theatrical experience.

Principles and practice in the analysis styles of a written script in preparation for work onstage. Required of all freshmen and transfer theatre majors.

Basic course on the construction and handling of scenery and stage properties and an exploration of techniques in technical production. Classroom lecture is augmented by laboratory instruction.

Introductory principles and practice for basic acting training, with an emphasis on the methods of Stanislavski.

Provide students with practical experience for productions in the areas of: scenic/properties construction, costume construction, stage lighting, public relations/box office, acting, dancing and all other aspects of performance.

This course provides students with intermediate level practical experience for productions in the areas of scenic/properties construction, costume construction, stage lighting, public relations/box office, acting, dancing and all other aspects of performance.

This course will introduce methods and techniques to apply to an actor’s body for the physical creation of a character, including developing awareness, control, and stamina of the actor’s body, and curation of physicality of the body for performance.

A basic, hands-on costume technology class that utilizes theatrical construction principles and techniques. Emphasis is given to all machine and hand stitches, which are used in projects throughout class. Also explores pattern drafting and draping.

Examination of the process of theatrical design together with exploration of the visual language of the theatre through instruction and projects in drawing, color rendering, and drafting.

Principles and practices in the application of stage make-up and design. Exploration and experimentation in the use of three-dimensional make-up.

Principles in the selection and preparation of scenes and monologues for auditioning for theatre productions, films and television work.

Concentration on hands-on design work with emphasis on composition, renderings, model-making and working drawings.

Instruction and laboratory training in the technical aspects of stage lighting and lighting design. Offers practical experience with University lighting and control equipment.

An exploration of various medias and technologies used in creating necessary documents to communication in the theatrical process in line with standard industry practices.

A survey of the history of theatre from the Greeks to the 18th Century.

In this course you will have the opportunity to explore advanced methods of theatrical costume construction from a wide variety of methods including draping, flat patterning, and working from commercial patterns. The emphasis of the course is to explore a specific period of history through research and create an entire garment from underpinnings out.

Introductory principles for directing for the stage. In-class exercises address methods of conceptualizing a production, analyzing a text, staging, and working with actors and designers.

This course provides students with advanced level practical experience for productions in the areas of scenic/properties construction, costume construction, stage lighting, public relations/box office, acting, dancing and all other aspects of performance. This course may be repeated for credit for a maximum of 6 hours.

This course provides students with professional level practical experience for productions in the areas of scenic/properties construction, costume construction, stage lighting, public relations/box office, acting, dancing and all other aspects of performance. This course may be repeated for a maximum of 6 hours of credit.

A survey of various methods in the management of theatre, including stage, box office, and house management. Offered: Other

Seminar or Laboratory classroom instruction in specialized topics in theatre production, history, or theory. May be repeated up to three times for credit. Offered: Other

This is a course that instructs on the design and construction of stage properties. The class consists of lectures and work sessions. Students will design and construct a series of stage properties using the design and construction techniques offered.

A course focused on the fundamental techniques necessary for performing in film, television, commercials, industrials, corporate training videos and voiceovers.

Study of the costume designer's role in the creative process and the principles of design through historical accuracy.

This is an advanced scene study course that builds upon the skills gained in Acting I, II and III, and trains students to handle specific acting challenges. Special attention is given to listening and connecting and playing to win using action-based objectives. This course may be repeated for a maximum of 6 hours of credit.

Performance, design, directing or technical experiences in theatrical productions or as independent study; can include internships. May be repeated for credit. Offered: Other

Performance, design, directing or technical experiences in theatrical productions or as independent study. Can include internships. May be repeated once for additional credit.

Students will learn basic techniques of staging violence and physical contact onstage. Emphasis will be placed on communicating and developing safe and effective storytelling techniques for performers. Course may include ‘armed’ stage combat techniques (single-sword, broadsword, etc.). Course may include Skills Proficiency Test with certification in specific stage combat areas with the Society of American Fight Directors.

Application of the principles and practices of play directing for the upper level theatre major. Production work is required outside of class.

A course for theatre or film students to work on devised or adapted works, ultimately leading to the creation of their own work to be submitted to regional and national conferences and festivals, as well as to bolster their own artistic portfolios.